In this series, The Art of Landing talks to literary magazine editors from around the world, picking their brains to see what they like and don’t like in submissions, how/if they work with
In this series, The Art of Landing talks to literary magazine editors from around the world, picking their brains to see what they like and don’t like in submissions, how/if they work with
In this series, The Art of Landing talks to literary magazine editors from around the world, picking their brains to see what they like and don’t like in submissions, how/if they work with
In this series, The Art of Landing talks to literary magazine editors from around the world, picking their brains to see what they like and don’t like in submissions, how/if they work
How many drafts of a story, or essay, or book, do you write before it feels “done”? Ten, twenty, fifty, one-hundred story drafts? More? One of the things that I find surprises the